The music presented on here is unorthodox not just by the standards of metal, but of music itself. I recommend you listen to the whole album from start to finish. Mikko Virnes does an excellent job in playing to the guitarists and never taking attention off of them since the guitars are the main focal point in Nespithe. https://darkforcesswing.blogspot.com/2014/01/demilich-reissued.html Demilich Heh, I thought Vanden Plas offered their latest album Beyond Daylight for a full download, but they didn't. Rasputin, what are the other two in your top 3? It’s hard to describe, but the vocals here are just other-worldly. Throughout the album, Demilich pays a consistent attention to detail in the shape of the riffs and flow of the composition. (full disclosure, I use the phrase "completely fucking weird" repeatedly throughout this review, and I stand by the repetition. All the tracks except When the Sun Drank the Weight of Water and The Planet That Once Used to Absorb Flesh in Order to Achieve Divinity and Immortality (Suffocated to the Flesh That It Desired...) are the only two original tracks, while the rest are demos that have been reintroduced, which I think the demo versions beat the versions on this record. In other words, this is not the best percussion one can hear in an album, but it is exactly what is needed. The Putrefying Road in the Nineteenth Extremity (...Somewhere Inside the Bowels of Endlessness...) They're gurgled. Just imagine yourself in the following situation: you're casually scrolling through YouTube when you see a recommendation for some album called "Nespithe", you look it up beforehand and learn it's by some tech-death dudes from Finland. Demilich are a death metal alien life form. The overall catchiness of the riff writing and song writing is unparalleled especially for 1993. I listen to this whole album and barely hear the vocals. 'Nespithe' - Demilich (10/10) In a genre defined by its unfettered commitment to extremity, it's rare for a death metal album to retain its stopping … It simply sounds unnatural, lurching from one note to the next in a very wrong-sounding way. Nespithe. Every instrument is always perfectly audible, and the bass tone alone will leave any Metal fan salivating. They are fairly low in the mix but sound quite detached from the other instrument tracks as well. Then you had these freaks aboard the train, offering quite the heavy music (I think the tuning the band used to play and record was in standard A, which I think is insane for something that came out in the early 90s, when the majority of bands played between standard B to standard D, respectively), comprehensible and slow robotic death growls, while still using traditional death metal standards. My only two complaints are the usual old school death metal complaints: the bass is not very audible, and the album is too short. This is way heavier and more evil. Everything about the album is shrouded in obscurity: The winding, atonal guitar melodies, the unpredictable song structures, the ridiculously deep burpy vocals of Antti Boman, the disturbing yet intriguing album cover, the nonsensical song names and lyrics, it’s all made … DEMILICH Nespithe music review by toroddfuglesteg Progarchives.com has always (since 2002) relied on banners ads to cover web hosting fees and all. But as terrible as it might be it is not unlistenable (or whatever the proper adjective is). It's like a dreary landscape of an outside universe, and you're traveling through it without any chance of escape as if you were being sucked by a black hole. It really is something worth getting into and it grows on you like some freakish Lovecraftian blob parasite feasting on your essence (or some other crazy shit like that). The vocals are not intended to be the focus of the listener; instead, it adds a thundering resonance beneath the miasmatic riffs, quiet enough so that they never get in the way of the album’s strongest suit. Nespithe is the kind of album that is unique, but also very good, and very mind-bending with how it presents itself in a way that few would dare to imitate. Anyways, while the sound is somewhat irritating the riffwriting is off this Earth. Model: 04346. This album is beyond bizarre, abstract and just pure fucking chaos. It’s odd to find that the atmosphere on any album can be most defined by the vocals, but this is certainly the case here. It sounds organic, pleasantly murky, and just crisp enough to showcase the technical finesse of the riffs themselves. It is typical in death metal for the vocalist to rely on aggression and volume to get his point across; Boman goes for something different entirely. Yet the weirdest part of this album are the absurd vocals of Antti Boman. and immortality. Holy shit, this guy drums as if he was an epileptic having a seizure, with incredibly weird tempo changes, blasting away just to crawl to a slow pace the very next second. Did it have to be so... egh, I can't even describe what's wrong with it, it seems like it lacks distortion or the amp used was overall shit. No less unusual at the time, Demilich's sole full-length is more insular in its innovations, holding off on spicing up its sound with influences from other genres and instead examining the core elements of death metal and bending them into a new shape. While Gorguts delve into the very depths of chaos Demilich focus primarily on utter destructive power. The parts on this album, and that's the beauty of it, are actually anything but good or appealing by themselves. There has not been one band I have heard (and I've heard quite a few) that does these guttural but somewhat understandable growls...? The album was released in February 1993 by Necropolis Records. Maybe if I wasn't busy cleaning up my room I would've headbanged more to it. Favorite songs: 20,99 € – 22,99 € If this album had a slightly beefier sound, with the drums higher in the mix and the vocals centered more expertly Nespithe would've been very close to the 96-97% mark for me. Short(ish) track times, nothing fancy like Cynic or later Death and no ridiculous fret-wankery. Palm mute picking and legatos are all over the place, so expect a lot less melody and more frenzy. The vocal performance also fits the lyrics of the album since lyrically they read like bizarre and violent observations of an unknown world. Demilich, historically speaking, is one of the most important bands to have come out of the Finnish underground of the early nineties. The album booklet itself proudly proclaims that no effects were used to tweak the vocals, which might only be described as ‘cavernous’. At this point there's no return and no tomorrow, just the insurmountable wall of blast beats and atonal riffing that Demilich brings you, complimented with a voice that would make any Alien run off to his mommy! Antti Boman sounds like a belching demon frog unlike any other. They are completely fucking weird. ...and so on and so forth. But that doesn't really matter, the point of the review was to talk about how great this album is. It's far more radical than that. Only he’s not using any processing after all, which just makes it that much scarier. The song structures are always progressing, so riffs never become stale, but the transitions from riff to riff are executed incredibly well. If you’ve gotten past your “I hate harsh vocals” stage of n00b-dom as a metal fan, then this really isn’t as inaccessible as some make it out to be. This is the kind of album that takes a while to get used to and it wouldn't surprise me if this was initially off-putting to some people, but the music on hand really holds together well despite the insanity and mixes in a way that comes off as natural. Demilich’s sole album is a masterpiece that blends proficient technical oddity with ridiculous camp, wrapped between some slimy, gummy, earworm that was way ahead of everyone's ears. I've been piddling around with a blank copy of this review for a long while, unable to really write down anything because reviewing something so fucking good is so damn hard. The eighth song is an instrumental which goes a little overboard at times with the technical instrumentation, sort of like a foundation for “Cabinet” era Spawn of Possession. A lot is said about Antti Boman's vocals and while they are totally OTT - the most guttural vocals I have ever heard (the closest comparison I can think of is Bill Steer's vocals for early Carcass, but way deeper than that) - they do not detract from the music at all. The fact that this is one of the best recordings in the whole of metal, and possibly music itself, remains. Demilich - Nespithe There are tons of good death metal bands .. few of the legendry death metal bands are death, morbid angel, atheist ... but seriously this band is different from ordinary death metal bands. Throughout the album, Demilich explore the abstract realm, the universe and beyond. Hey, whoever said that the abstract realm was a pretty place anyway? Demilich are not only explorers and discoverers, but they are also able musicians as well. Despite the success and the slight of importance this record has and how it shaped most subgenres of death metal, it wasn't that of a great listen. More conspicuously – most conspicuously, in fact, of all the band’s idiosyncrasies – are those vocals, which sound like… a pitch-shifted demon frog from the bowels of Hell? Praised by many as the best finnish death metal album of all time, Demilich’s first and only album Nespithe is an album like no other. There a lot of tempo changes throughout the album and many in every song. Album Rating: 5.0incantation onward to golgotha I would go through the album giving some sort of a relative description song by song, but I think I lack the words (and the energy) to really capture whatever this album is. 1990 gegründet, 1995 aufgelöst, ein Album veröffentlicht: "Nespithe" (Anagramm für "the spine"). The drums complement these interesting riffs with spontaneous tempo changes and weird comps. In fact now that I think of it probably wasn't my smartest move...Oh what the hell let's get it on shall we? Yeah, this is one of those kinds of albums that thrives off of how strange it is, but weirdness is not all that's on offer. Take any riff, any melody, any bass line, any drum part, any frog belch, by itself it's actually quite awful. Nespithe, an Album by Demilich. Solos aren't exceptional as one would have hoped, yet I wouldn't have expected anything like Malmsteen on this record, instead you have highly anti melodic stances and sporadic appearances of what might appear to be a solo. See how this album was rated and reviewed by the users of AoTY.org. While listening to the whole thing can be tiring, as the whole thing sticks to a plodding pace, and the drums are so tinny and processed that the semi-trained ear will laugh at this, but the atmosphere is hellish and twisted. Has anyone ever talked out of his or her small intestine? Nespithe (1993) by Demilich. Immolation has especially good soloing, by the way. It's meant to be listened to simply as a work of art and not an outlet for metalheads' aggression. Granted the album is a little hard to get into and kind of disorienting, but it does that so in a way that best shows off their skills and revels the most in their murky world of belching beasts and flesh-eating planets. "Huh" you think "probably your casual tremolo, palm muted death record", but you decide to give it a try. That's a valid assumption, isn't it? Overall I would say the average death metal fan might not find this album intriguing, although there is no denying the fact that Demilich have produced something which is absolutely distinctive and maybe even unrecognizable. Steamy Satanic Zoidberg and his army of Satanic Frankenstein Monsters - 100% Mang_Kanor, August 1st, 2020 Demilich’s sole album is a masterpiece that blends proficient technical oddity with ridiculous camp, wrapped between some slimy, gummy, earworm that was way ahead of everyone's ears. Demilich delivered a tight set with a great deal of energy. So get yourself a diaper and some joint pain medication, because you will be headbanging and shitting yourself at the same time as long as this record is on. Overall, what we have here is an amazing piece of classic Finnish death metal. After listening to the first few seconds of the opener “When the Sun Drank the Weight of Water”, you know you are in for something quite different and unusually strange. The 20th Adversary of Emptiness reproduces a restored Nespithe complete with original art, adds two songs from the 2006 return of Demilich, and then compiles the demos of this formative band. Cult Of Lilith. Demilich: Nespithe (Cass) Dread Records (3) none: US: 2020: Sell This Version: Recommendations Reviews Show All 7 Reviews . The drum rhythms alternate from simple to unorthodox with ease, and each of these percussive rhythms work incredibly well with each riff to further emphasize the off-kilter rhythmic structures that Demilich emphasizes. Before it got removed, I had been meaning to update the review, it was very childish, it looked like a 15 year old had wrote it. It's beckoning you. Praised by many as the best finnish death metal album of all time, Demilich’s first and only album Nespithe is an album like no other. However that is all but a small complaint. An interesting thing about the drum rhythms here is that there are very few blastbeats, and when they’re used, it’s for very short periods of time. Last but not least, the vocals. Sure, Scream Bloody Gore and Altars of Madness still earn respect and admiration from contemporary ears (and rightfully so), but they’ve since been trumped in terms of their heaviness and commitment to perversity. Another surprising part is the location in which the band originates from: Finland. FLAC . The first thing that someone will notice upon hearing it is the vocals -- the first thing I thought when I heard it was that the vocalist was the most impressive belcher I had ever heard, though that's actually not the case. Another great aspect of the release is its tempo variation accompanied by a very intricate rhythm section. Nespithe was ahead of its time and still sounds fresh and highly original 16 years after its initial release. This is complex in a way that the actual techniques are simple, and the riffs aren't all that fast, but the way the riffs are constructed makes it so damn hard to play, and incredibly strange to hear, all the while not sounding too much like technical wankery and keeping an interesting variance to them. However, Demilich will never be forgotten with the release of 1993's "Nespithe". Mikko Virnes puts in a great performance, easily mixing jazz-orientated rhythms with blast beats and doom-outs. It sticks to the same pace for pretty much the entire running time, yet manages to stay interesting throughout. Imagine that bunch of zombies from the cover or whatever the fuck they are marching and obliterating everything in their way, their screams heard all over the place with the Grim Reaper overseeing the whole thing from the back, it's safe to say this is the type of music that would be playing. Demilich - Nespithe TS; Out of stock. It normally follows the guitar which already screams how hectic it is, although at some points it does shine on its own. That is the atmosphere: bizarre and confusing, but also horrifying and spectacular in its beauty. Official worldwide licence from the band. In the case of the album I am reviewing, it would not only be an understatement, but the entire approach of that type of thinking would be fallacious. Even the lyrics and song titles are deranged with them being long and fixating on grotesque images of flesh, gore, and outer space. Yeah, that's Demilich in a nutshell. His performance is excellent, as is the drum sound. Cryptworm – Reeking Gunk of Abhorrence (2020) | REVIEW Merging the competitive sport of primitive drop-tuned, filth-choked death grooves with singularly resolved Demilich ian six-angled concepts this Bristol, England stationed death metal duo re-emerge from a complex web of slime and hair with a far more substantive and memorable second EP. One of the best pieces of death metal ever released, maybe even THE best. Newcomers may find themselves put off by the unconventional guitarwork and (ahem) distinctive vocals, but there are few metal albums I’ve heard that leave such a lasting impression. The Echo (Replacement) Well this album shatters any myths that it was all about Sweden. It's a sci-fi movie almost, with the twisting, burrowing guitars jumping from riff to riff, melody to atonal melody, all kept in some sort of awkward alignment by the drum work. Nespithe (which is really "The Spine" or "The Penis") contains very unusual, metaphoric (in some way), and ridiculous lyrics, whether they're merely just for comedy (as much as the abominations in the album cover look) or veering away from the general themes of death metal. Anyone who has any sort of ear for production would hear immediately that the drums are far too low, the vocals are stilted and not centered, and the guitars are so spaced left and right, and have so little distortion that the resulting sound is one of airy weakness. Every note seems to flow into the next as if written in cosmic stone at the beginning of time and discovered by still primitive humans via some bizarre scientific contraption. Demilich - Nespithe (1993) ... Be the first one to write a review. Album Rating: 5.0best dm: I don't know what possessed these drunk Finnish guys to write this mind-warping record, but I'm really glad they did. If you’re new to harsh vocals, that would be your general impression of Demilich’s Nespithe. Although an acquired taste, the belching gutturals are eerie like nothing else. However it is also essential to note that uniqueness in itself is of little validity without an egregiously solid or acquiescently harmonious sound base, which is almost exactly what Demilich offers. While most certainly mired within the confines of what we would label as death metal, Demilich took the familiar ingredients of the genre and forged something unmistakably unique with them. This album is a classic for a reason. The music no longer reminds you of 2 month old milk. It hints at the fact that they didn't take things (including themselves) too seriously. Check out the first demo “The Four Instructive Tales of Decomposition" while you’re at it for the proof that the vocals on “Nespithe” were done without effects. While Florida's Cynic was mixing its own cocktail of death metal, jazz fusion, and prog, over in Finland, Demilich was twisting death metal convention in its own bizarre and unprecedented way. Demilich - Nespithe. However, Demilich will never be forgotten with the release of 1993's "Nespithe". Could be. Everything here is so unconventional and so determined to shuffle forward in ways that defy earthly musical conventions and common sense itself that there isn't much predating the album one can compare it to. When the Sun Drank the Weight of Water download. Eh, I'm just making fun of the song titles and how the lyrical themes for this band on this site mention abstract concepts. Posted Wednesday, November 30, 2011 | Review this album | Report (Review #578797) Review by Conor Fynes. Of course, there’s no mean to say that Demilich blast their way through this at 299 bpm. Although the sheer alien illegibility of his vocals make the lyrics’ effect on the music negligible at best, Demilich have penned some pretty schizophrenic poetry to match the album’s monstrous atmosphere, and are well-worth checking out. Identifiable recursive song structures are nonexistent. It's another one of those albums that isn't easy to headbang to because the main melodies aren't decipherable enough. I feel like every aspiring metal musician should listen to this album. This album is a hidden gem and a lost classic. This is alien colonisation music, this is what will be playing when some Zen-like creatures invade our reality and we are left hopeless and screaming. Writing the least insightful thing ever to be included in a review on this website is no easy task. 22.6M . This page includes DEMILICH Nespithe's : cover picture, songs / tracks list, members/musicians and line-up, different releases details, buy online: ebay and amazon, ratings and detailled reviews by some experts, collaborators and members. Not because of what genre it is, not because of the history of the band, or anything else, except the music. On paper, the guitarwork on Nespithe might be sound like a description of jazz music before anything else, although you wouldn’t think it for a second while listening to music itself. Whereas it would be expected even from a left-field band like this one to loosen the reins for a while and offer a taste of simplicity, Demilich doesn’t compromise their sophistication for a second. In fact, it feels planned out in a way that probably shouldn't be comprehended by mere humans. Hopefully this is the case, because a performance this unorthodox being made naturally be a human being is an awesome thought. jacobjsamano September 26, 2020 Report; referencing Nespithe, LP, Album, Ltd, RE, SRE284. The band also spices up the low end with some great rhythm work on tracks one, four, and six. Svart Records prints these on vinyl and CD formats, with the vinyl option as a box set and the CD for more everyday listening (that way you can have a copy in the car, too). cannibal corpse Drumming is not the most complex thing in the world, but its just exactly were it needs to be, and there is no senseless wanking off. Whatever it is that Demilich tried to express, there is no doubt that this is one of the most fascinating and matchless Death Metal albums ever created. The riffs here are dissonant, yet also fucking catchy. Antti Boman himself has said that he knew absolutely nothing about theory and had very few influences when writing the material for this album. I realise that it will never be within my writing abilities to properly convey the majesty of this album's songwriting and performance, and that to many it will continue to be a candidate for dismissal based on it supposedly being just anothter faux-"strange" technical death metal album with too much of an emphasis on melody and vocals that to many can't possibly be taken seriously either by the person who performed them or the confused listener wondering what it was they were meant to accomplished. The whole album, I feel, is analogous to his story "The Music of Erich Zann". Throughout the album Demilich prefers to plod at a nice groovy mid pace tempo with the occasional blasting section. The problem is that from a neutral viewpoint, amazing quality aside, it isn't very easy to sell this album to those not familiar with it. Demilich’s debut and only full-length release, Nespithe, has Forgotten Legends written all over it. The distortion they use is one of the best I've heard, and along with the odd riffing it only ads to that otherworldly feeling. Demilich’s compositions are elevated greatly by a focus on harmony otherwise alien to most death metal. How can you not have Behemoth's Demigod in your top three and call yourself a fan of the genre? Indeed, they take their time exploring and discovering the cosmic planes and the mind within. What Demilich does is to interweave these awful parts into a radiant piece of art. Insanity is a standard theme in metal and especially in death metal. The coiling guitars, manic drums, and burped vocals all twist around each other to maximize the strange and disgusting nature they each possess while keeping the rhythms complex, yet coherent. That would be Demilich’s unique point of view? Never before has melodic interplay been so dissonant and chaotic, but yet beautiful in its own strange way. Demilich's music could be thought of as death metal based on some sort of music theory developed by organisms that live on another planet and have an entirely different way of thinking about time signatures and tonality. Their implementation of atonal licks and riffs uses a lot string skipping which help in their really off sounding grooves (And not a lot of dissonance, as compared to the other bands associated with Demilich). The overall production is superb and for such and underground release it is a real surprise. The remaining tracks fall right back into place with the first seven. It's been said before that the vocalist sounds like he's talking out of his small-intestine, and I guess I say that I concur. The bass is very good, very audible and with deep tone, sounding at times as if it was a second guitar. I've been listening to death metal for a long time, and I've yet to find an album that sounds like this. What it would ultimately take for me to garner an interest in death metal was to see the genre from an entirely different perspective. It does however give off this vibe of outer worldly power. The drum production could have done with a little greater dynamic range, but there’s nothing significant to complain about the way Nespithe has been crafted. Genre: Death Metal. God was I wrong. However: death metal bands usually have lyrics about death. Demilich was one of the most obscure and unique bands to emerge from the early 90's death metal emission. Got you interested? The guitars weave riffs that jitter and twitch like thoughts inside the mind of a madman. Genre: Heavy Metal, Artiest: Demilich, Media type: CD A simple, generalized blanket statement like that won't get me very far so it's best to explain that, isn't it? Simply put, this album will stand the test of time. Nespithe 14,99 € Classic Adversary T-shirt 15,99 € Logo T-shirt 14,99 € Em9t2ness of van2s1ing / V34ish6ng 0f emptiness 2LP - 1st pressing! Tapping into the same pool of insight as neoclassical composers Krzysztof Penderecki and Gyorgy Ligeti, the guitar harmonies are unsettling, as if the two melodic lines are pulling in the opposite directions. It's halfway good. The double CD package features new artwork by original Nespithe cover artist Turkka Rantanen, and the classic cover is included as well. Keep in mind that this record was released in 1993, where bands like Nile, Necrophagist, Psycroptic and Dying Fetus hadn't released true Technical Death Metal per say. This literally feels like the croakings of a monster from an extra-dimensional dystopian wasteland. 'Nespithe' - Demilich (10/10) In a genre defined by its unfettered commitment to extremity, it's rare for a death metal album to retain its stopping power in the generations following its release. It’s no doubt clichéd to say in a metal review, but the gurgling sounds downright Lovecraftian in scope and atmosphere. I consider Demilich's Nespithe to be one of two "towers" of death metal: albums so untouchable, along with Gorguts' classic Obscura album, that they "tower" above everything else. If I were to listen to this in 1993, then yeah, maybe I'd praise it 100%. Demilich really only have one full-length to their credit, Nespithe, which was originally releases in 2000, but the crowd was obviously intimately familiar with the material and roared along. Bass is also a worthy mention. My opinion on that rhetorical question is quite obvious. And this is probably the most famous Death Metal record to have come from that country, alongside Demigod's Slumber Of Sullen Eyes. But believe me, once you got yourself acquainted with their type of riffing and Antti Boman's vocals it will be just a matter of time until you start spending more and more time on that outer world they create in your room. The album is far from simple, rather it take a differant approach to be technical/unconventional. This release (the only full length) from the Finnish quartet has surely made people scratch their collective noggins. This album isn't an easy first listen, that's for sure. Unlike Nothing, this has quite a lot of soloing, which is always refreshing to hear in death metal. If you ask me, that is probably best for Demilich’s brand of death metal, because it leaves room for the vocals and guitars, and gives the percussion a change to support the music in more ways than just “being brutal.” Hell, this isn’t even a brutal album at all. Album Rating: 5.0Cannibal Corpse idiot's. Sure, the vocals are incredibly guttural, but they’re not oppressive guttural or painful to listen to. This is easily a “top five” death metal album of all time for me, and there’s really no reason why anyone shouldn’t like it. A truly legendary death metal album in every construct and one, which although might not have changed the general consensus to this genre, will remain a pillar of death metal for all time. In Stock. The point is that the resulting album sounds starkly different from the prototypical death metal LP of the day. Nespithe is death metal for the thinking man, and my only disappointment with the album is that Demilich never chose to make another one. Us by giving monthly PayPal donations and help keep PA fast-loading and forever. School death metal you 'll then immediately notice that this is to hear this ’. They only had one album, but it 's music is all about Sweden inhuman voice I. 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Sound the way an amazingly low and guttural belch that sounds like a belching demon frog any! T talk about how great this record is astounding a full step, the drums stacked with reverb is... Mean everything else about this album is convoluted and beyond rich, corrosive and with!, Media type: CD Demilich - Nespithe one of a kind performance with –... Reviews ( 0 ) Official worldwide licence from the common death metal band Denial all riffs..., November 30, 2011 | review this album is also unusual for the time period with... Do, but you should check it out any Effort itself helped shape the themes... Full-Length release, Nespithe is so deep and gurgling that he knew absolutely nothing about theory and very... Recording by Demilich, Media type: CD Demilich - Nespithe TS ; out of workings... The strangeness permeating this music to see the genre from an entirely different.... Organic, pleasantly murky, and might even deter first time listeners altogether ' I ever! Album that will take some time for you to understand, but yet beautiful in its own strange and way. N'T constantly churning out rapid-fire blast beats were the best percussion one can hear in death metal resorting... Then yeah, maybe I 'd praise it 100 % for example the. Loom material: 100 % it feels planned out in a certain pattern the daily bread of the album Ltd. A very wrong-sounding way fit the demented outlook of this recording the end!
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